'09

Katherine Heigl can’t seem to open her mouth lately without bitching about her charmed life and trashing the people who pay her millions of dollars for a few months work. The mainstream media has noticed, and Newsweek has a thoughtful editorial about how Heigl went from potential romcom sweetie to shrew in a little over a year. Heigl could have possibly become some kind of post-feminist icon, writer Sarah Ball observes, but she seems more content to just complain than to make any kind of point about how movies are too male-oriented:
In January 2008, Vanity Fair’s cover girl was Katherine Heigl. “Hollywood’s hottest blonde,” as they called her, was stunning—a soothing dollop of peach gelato poured into a column gown, brows intelligently arched, lipstick perfectly applied. Inside the magazine, she smiled regally behind the wheel of a Rolls, stretching her arms in silk opera gloves. The accompanying text told a different, less rosy story: the Grey’s Anatomystar detailed the shocking death of her older brother Jason, chatted about her Mormon childhood, and discussed her struggle to break out as an actress. She projected a kind of loose-cannon candor, blasting the film that launched her stardom, Knocked Up, as “a little bit sexist” and her character, reporter Allison Scott, as “a shrew.” Back then, it read as refreshingly daring: That Heigl! She’s a pistol.
Today, that issue looks like a yellowing relic ready for a Planet Hollywood display case. Heigl’s biggest accomplishment of the past 18 months, if you buy the blogs, has been to fully squander her prime position, dropping from a cherubic, popular new actress with a brain to a diva-like shrew…
How did Katherine Heigl fall so far and so fast in esteem? Part of it is pure sexism. Every decade has a Most Annoying Actress (not that long ago, Jennifer Love Hewitt was the object of tabloid disaffection), never an actor, and it’s a distinction doled out via a caveman’s principles. Heigl violates every archaic, unspoken rule of being America’s box-office sweetheart. A lot of actors smoke, curse, drink, and mouth off, but she gets the most grief for it. Last summer, when she was caught flicking a finished cigarette onto the sidewalk, Star magazine quickly tarred her as an environmentally unfriendly “litterbug” who inappropriately goaded a nearby police officer into letting her off without a ticket.
But more than simply daring to challenge chauvinistic mores, Heigl has shot herself in the foot with her delivery. Everybody applauded her defense of Grey’s costar T. R. Knight after costar Isaiah Washington called him a “fag.” But then Heigl kept prattling on and on, even after Washington was fired in disgrace. People started to wonder if Heigl’s comments were less about Knight and more about her. Last July, in an attempt to be noble, she removed herself from the Emmy race because, she said, she had not been “given the material this season to warrant an Emmy nomination.” The press again slammed her for the diva attitude (did she really need to issue a statement? And did she have to insult the show’s writers and producers while she was at it?). When she resubmitted herself in the race this year, Emmy voters failed to nominate her—even though she’s done her best work on the show this season as cancer-stricken Izzie. But forget about Izzie and her eroding brain. Heigl wants all the sympathy for herself. This week, she carped to David Letterman that she’d had a “seventeen- (dramatic pause) hour (dramatic pause)” workday on set, and that she was “going to keep saying this because I hope it embarrasses them [the Grey's Anatomy show runners].” Embarrass them for what? Keeping her employed? To a country nearing 10 percent unemployment, the remark was tone-deaf.
[From Newsweek]
The Ugly Truth was third at the box office on this, it’s opening weekend. It’s behind Harry Potter and a movie about talking guinea pig secret agents. It’s getting overwhelmingly negative reviews and has a 15% aggregate rating on Rotten Tomatoes. Critics say it’s a “series of cliches… off the romantic comedy checklist,” “about as subtle as a boulder rolling downhill through a crowded playground,” and “crass and contrived… the sort of comedy that requires you not only to suspend disbelief, but your sanity as well.:
If Heigl has so many problems with the negative portrayal of women in films, why is she playing such a demeaning, cardboard cutout of a female executive who falls for a condescending creep? She seems to have no issue accepting fat paychecks and then complaining about the material she’s given afterwards. Wait and see what she says about this movie.
Katherine Heigl, T.R. Knight and his boyfriend, Mark Cornelsen, are shown out in LA on 7/26/09. Credit: INFPhoto.com



















