I will admit, I’ve been really impressed by Joe Alwyn over the past year. He navigated the Taylor Swift breakup better than any of her other exes (minus Harry Styles) and he came out intact. Taylor has written some songs about him, but he hasn’t come across as a heartbreaker or f–kboy or douchebag. The worst you can say about him, re: Taylor, is that he didn’t want to marry her and he sort of wasted her time. Anyway, Alwyn recently spoke to the Guardian because he’s promoting his new film, The Brutalist. He plays the son/heir of Guy Pearce’s wealthy industrialist, an industrialist who is the “patron” of Adrien Brody’s Holocaust-survivor architect. It’s a supporting role for Alwyn, but given the awards-season surge for The Brutalist, it looks like a great career move for him. Some highlights from the Guardian interview:
Why he signed on to The Brutalist: “To be honest, I thought it might be a really good film that not many people would end up seeing. Who knows, maybe it still will? I hope not. But given the things against it, given that it ticks most boxes of what you’re not meant to make as a film these days: length, content, all of that – anything on top of that is a really nice surprise. A three-and-a-half-hour film about a Hungarian architect doesn’t scream Oppenheimer!”
His entitled and arrogant character: “A bit of a wrong ’un, but quite an interesting wrong ’un,” says Alwyn. He found inspiration for Harry in unexpected places. “Look who’s the new president of America, and his family. Often family businesses are so insular and stunted and hollow. And you see it with Trump and his children: ‘I can do what I want.’ A convicted felon accused of sexual assault and grabbing them by the p-ssy and all of that. He’s unanswerable, unfortunately.”
Scoring his first film role in ‘Billy Lynn’s Long Halftime Walk’: “Everything about it was extreme: going to a new country, going to military boot camp, having your hair shaved off, doing an American accent, bulking up, everything was extreme. It’s still the most special experience of being a part of a project. I feel like I’ve been chasing that feeling since and have also simultaneously realised it’s not going to be the same, because that was the first ever time. And so it’s become coloured by other things and that’s OK as well… that first time I had no idea about everything else that comes with it. That you have to do press for it and there’s expectations, or there’s not expectations. Or it could lead to this, or it won’t lead to this. All of that wasn’t there and that was great.”
Whether he feared that his relationship with Taylor Swift would overshadow his career: “I have tried just to focus on controlling what I can control. And, right from the beginning, tried to focus on the things that are meaningful for me: friends, family, work, of course. So noise outside of that, I think I’ve done what lots of people who find themselves in the public eye do, which is just try and ignore it. If you don’t, and if you let all of that other stuff in, and if it starts to affect you and your behaviour, you’re living from the outside in. And then you’re pretty f–ked. I have great family and friends and real things in my life; those are the things that kept me tethered to the ground. So I don’t know how else to say it, it’s… just in a different room.”
He has moved on from Taylor: “That’s something for other people to do. We’re talking about something that’s a while ago now in my life. So that’s for other people. That’s what I feel.”
I like this perspective: “it’s… just in a different room.” That’s probably one of the healthiest ways to handle it. He never even seemed that worried that he would get the full “Taylor’s Ex” treatment by Taylor or her fans. It was like water off a duck’s back, or noise in a different room, as he says. It’s got to feel good that following the split, he’s been in two acclaimed art-house films back-to-back as well – first Kinds of Kindness and now The Brutalist. He also just filmed with Yorgos Lanthimos and Emma Stone again. He’s really fashioning an interesting career for himself.
Photos courtesy of Avalon Red, Cover Images.
- Joe Alwyn,,Image: 903813406, License: Rights-managed, Restrictions: , Model Release: no, Credit line: Maria Laura Antonelli / AGF Foto / Avalon
- Joe Alwyn beim Photocall zum Kinofilm The Brutalist auf der Biennale di Venezia 2024 / 81. Internationale Filmfestspiele von Venedig im Palazzo del Casino. Venedig, 01.09.2024 *** Joe Alwyn at the photocall for the feature film The Brutalist at the Biennale di Venezia 2024 81 Venice International Film Festival at the Palazzo del Casino Venice, 01 09 2024 Foto:xD.xBedrosianx/xFuturexImagex brutalist_4746,Image: 903955946, License: Rights-managed, Restrictions: imago is entitled to issue a simple usage license at the time of provision. Personality and trademark rights as well as copyright laws regarding art-works shown must be observed. Commercial use at your own risk., Model Release: no, Credit line: IMAGO/Dave Bedrosian / Avalon
- 81st Venice International Film Festival, Italy – The Brutalist – Photocall,Image: 908766557, License: Rights-managed, Restrictions: Available in UK, USA & Europe excluding Poland, Model Release: no, Pictured: Joe Alwyn, Credit line: KIKA/Wenn/Avalon
- Joe Alwyn bei der Verleihung der GQ Men of the Year Awards 2024 in den Kensington Roof Gardens. London, 19.11.2024 *** Joe Alwyn at the GQ Men of the Year Awards 2024 at Kensington Roof Gardens London, 19 11 2024 Foto:xS.xVasx/xFuturexImagex gq_london_4225,Image: 936691479, License: Rights-managed, Restrictions: imago is entitled to issue a simple usage license at the time of provision. Personality and trademark rights as well as copyright laws regarding art-works shown must be observed. Commercial use at your own risk., Model Release: no, Credit line: IMAGO/Steve Vas/Avalon/Avalon
- Joe Alwyn bei der Verleihung der GQ Men of the Year Awards 2024 in den Kensington Roof Gardens. London, 19.11.2024 *** Joe Alwyn at the GQ Men of the Year Awards 2024 at Kensington Roof Gardens London, 19 11 2024 Foto:xS.xVasx/xFuturexImagex gq_london_4221,Image: 936691516, License: Rights-managed, Restrictions: imago is entitled to issue a simple usage license at the time of provision. Personality and trademark rights as well as copyright laws regarding art-works shown must be observed. Commercial use at your own risk., Model Release: no, Credit line: IMAGO/Steve Vas/Avalon/Avalon
- London Premiere Of Featuring: Joe Alwyn Where: London, England, United Kingdom When: 20 Sep 2022 Credit: PA Images/INSTARimages.com/Cover Images **North America Rights Only**
I’d almost forgotten about them. Her artsy pretty boy days seem so long ago now that she’s a WAG. But the theme of men fearing being overshadowed by her is pretty consistent in her past. We need to talk about why that’s still so prevalent.
“her artsy pretty boy days” are definitely over. Taylor is definitely in her WAG era.
I honestly didn’t understand how he handled all that pressure and campaign against him without saying a word, then I read that his mother is a psychotherapist and it clicked. I wish nothing but peace for him.
All he has to do is stay off the internet. Taylor’s fan only exist in an internet bubble. No one is showing up to his house with fire and pitchforks.
And for all intense purposes they had a low key relationship and split. And by the time the split was public. She had already jumped to Matt (for a hot minute) then Travis. Which took the heat off of Joe. Then straight to Matt’s a racist then finally we get Tayvis.
@Flamingo, that is not true, it doesn’t just stay on the internet. His family and him got a lot of death threats. Taylor’s fans take photos of him when he is out. It doesn’t have to be pitchforks for a person to speak out against accusations people are spreading out there. He was accused of abusing Taylor thank to the TTPD’s marketing campaign.
Where were the death threats…online, where were the pictures online…. You’re famous, you compromise your anonymity for fame. As an actor.
Nobody is dead and nobody is attacked. Is a 12 year old going to get on a ladder and punch him in the knee? That’s the worst I can see happening.
Is it annoying yes, but that’s the point of his comment. He sticks that in another room not to hear or see it.
He’s a nice guy, and everybody knows what they are getting into with the rabid fan base of Taylor. I thought he has handled it well.
Yeah, when he said “focus on controlling what I can control”…I heard that. That sounds like work I’ve been doing in therapy and it’s made my life better. The only thing I really can control is me. Can’t control a damn thing outside of myself so….takes the weight of the world off my shoulders.
What gives me joy is that he isn’t letting her change the narrative as much. She’s a very powerful celebrity, but it seems he truly has focused on his foundation so he’s harder to shake. He will continue to benefit from his name being easier to remember from being together for so long but can still forge his own path. She’s forging her own path, he still gets to forge his. Win win.
Good for him.
They had a long relationship. The longest for Taylor I think. He seems like a nice chap. He even got some song writing credits with her. Which will give him a nice revenue stream.
Relationships sometimes run their natural course to a conclusion. Very undramatically.
He’s an OK actor to me, just does not have any charisma on screen. But he is very handsome and tall. So, there is that.
Just bumping this comment that relationships sometimes end naturally. So true. There does not need to be drama. There can be sadness and regret but mutual agreement. That does seem to be the case here.
I think Taylor specifically aimed her breakup songs at Healey (who sucks) to protect Joe’s privacy and mental health. I think their relationship ran its course and they seem to have parted pretty amicably compared to her usual scorched earth breakups. He’s handled it with a lot of class and it makes me like him more.