Nathalie Emmanuel: ‘Missandei & Grey Worm existed in a predominantly white world’

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I know it’s been a year since it ended, but I am still mad about the Game of Thrones series finale, particularly how they handled Khaleesi and especially what they did to Missandei, played by British actress Nathalie Emmanuel. Not only was Missandei beautiful, but she was also loyal, strong, and her friendship with Daenarys kept me coming back every week. Besides Daenarys and Arya, Missandei was my favorite character on the show and I wanted her to have a happy ending. Not to mention the fact that Missandei was the only woman of color on GoT.

Now, the show is over, everyone has moved on and so has Nathalie. She is reprising her role in the Fast and Furious franchise and starring in her Quibi show, Die Hart, with Kevin Hart and John Travolta. As Nathalie’s star rises, so has her sense of responsibility to speak out against racial injustice, inequality, and representation in the mostly white world of film-making. Nathalie did an interview with Harper’s Bazaar where she talked about Missandei’s fate, representation in Hollywood, and more.

On being on mostly white sets
I’m used to just being on sets that are mostly white. And then I’m probably one of maybe two or three—which is rarer—people of color. There’s so much untapped talent that’s not being utilized. And I think that’s just such a shame. We need to actively hire Black people and other people of color into the industry in every single way. And hopefully then we will see actually long-lasting change.

On Missandei’s death:
Missandei stayed kind and graceful and dignified despite unimaginable pain and suffering. She just represents something that so many people experience, just pain and oppression, and just still being the best that you can be, and be a good person, and be a kind person. And it’s so easy for trauma like that to make people angry. Trauma just can make people really unhappy and really angry. And she just wasn’t. But she had a fierceness, a quiet confidence and a quiet strength. I have to muster that sometimes for me. And I think she really represented that so well.

“Missandei and Grey Worm represented a lot for Game of Thrones fans and people of color who watched the show and were seeing themselves on the screen when there wasn’t a lot of representation”
Absolutely. Missandei and Grey Worm were very much existing in a predominantly white world, and that is an experience I 100 percent relate to. I grew up in an area like that, so I completely can relate to the journey and the struggles of that, whilst very different, I can imagine. I think that those characters, like you said, had to represent a lot of people, because it was just them. And I think the kind of response to Missandei’s death, and those characters just in general just really speaks to why representation is so important, and how going forward when we’re making big shows like this, that representation looks more like the world that we live in. Hopefully, people will be aware of that going forward in the future.

On recent changes in representation
Every time you see a story that isn’t just centered around white people, I feel it’s a step in the right direction. I’m not saying that stories that are centered around white people should never be told again, but that there is opportunity for everybody to have their voices heard. But for me, I always feel like there is this moment where there’s this outrage about certain issues around inclusivity and representation. And then there’s this flurry of films made, and opportunities are given to Black filmmakers and writers and actors. And then it goes back to the way it was. I think this issue can only be resolved when people in power, in powerful positions, are actively hiring Black talent and Black creatives at every level. And not just in front of the camera.

I think this issue can only be resolved when people in power are actively hiring Black talent.

It’s got to be in the writing rooms, in producing teams, in directors, and all the way up the ladder. That’s true for not just Black people, but for every minority group that feels underrepresented in film and television. That’s a systemic change, and that just has to happen if we don’t want to fall into these traps again of just amplifying one certain group’s voice. Because to be honest, when that happens, when you get this flurry of films that come out, there’s something that you celebrate.

But it’s also something that needs to be replicated over and over and over again. And not just because people don’t want to be seen as racist, so it almost feels performative. You need it to be like, “I’m a studio exec, I’ve got power. Let me find and work with actors or filmmakers that are completely outside of my usual remit.” That takes action from people in power. And I think that is the only way we’re going to see it change in a long-term sense.

[From Bazaar]

I have been following Nathalie’s career and personal life since she was introduced on Game of Thrones. Her recent interviews, tweets and Instagram posts have made me love her that much more. I love that Nathalie talks about self-care as an act of defiance and that she uses yoga and silence to help her integrate the chaos happening in the world. I am sure her family and friends are enjoying her racial justice reading list and learning yoga from her as well.

In this interview what really hit home for me, especially in the climate we are in now, is her skepticism around systemic change as it concerns racial injustice and representation. The whole performative allyship thing can be especially egregious. I have hope because this time around does feel completely different from when the BLM protests began. I appreciate her willingness to join the movement like others in her industry who are using their art and voice as disruption.

If more people like Nathalie stand for change maybe we will see the benefits of an equitable world in our lifetime. Perhaps her little nephew will never experience discrimination or racial profiling when he is older. And hopefully, there will be more stories and voices on screen that reflect the actual world we live in.

The Fashion Awards, Arrivals, Royal Albert Hall, London, UK

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Friyay… from my couch… 🛋

A post shared by Nathalie Emmanuel (@nathalieemmanuel) on

Photos credit: Avalon.red and via Instagram

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8 Responses to “Nathalie Emmanuel: ‘Missandei & Grey Worm existed in a predominantly white world’”

  1. Sayrah says:

    I’m still bitter about missandei’s death and what happened to daneryus too. Frankly I’m upset about the battle between two “crazy” women and Brienne crying over Jamie. At least Sansa is ruling and Arya is off exploring.

  2. Priscila says:

    Not only an army of POC went to defend xenophobic people, but they died for them and received no thanks wthasover- hell, DnD went as far as to kill off ALL the POC Unsullied offscreen, since they confirmed they would all die before arriving on Narth.

    This…the Confederate show…the fact they equaled a an abolitionist to Hitler…the fact that D is the son of a high ranking republican, former Head of GS and pals with Bush….

    Yep, in retrospect, we should not have expected so much of GoT.
    One year later, nobody is doing marathons and since the world is changing as we speak, safe to say this show will NOT age well.

    • Yup, Me says:

      Exactly this. Daenarys was more devastated by the loss of her damn dragon than all the POC HUMANS who died supporting her war. After that I couldn’t stand her.

      Also, I appreciate what Nathalie said, but I would add that her statement about who is doing the hiring still supposes that those in power are white and making the choices.

      The people in power need to be BIPOC folks as well. The power structure itself needs to be changed. Not just the hiring practices.

      • Trashaddict says:

        This. It’s been my experience that there are more opportunities for BIPOC folks when you have BIPOC execs.

  3. Mabs A'Mabbin says:

    Gawd her dreads are frakking cool. I love her, and she does possess such an air of refined maturity, intellect and generosity. Maybe it’s because she owned her GOT’s character, maybe that’s precisely who she is, but there’s no questioning her strength.

  4. BnLurkN4eva says:

    I still haven’t seen the last 2 seasons of GOT so I had to skim this post and the comments to avoid knowing and I still got spoiled a bit. I need to get on with watching those last couple seasons, or I’m going to know everything that happened from just being online.

    • Mrs.Krabapple says:

      Please don’t watch the last 2 seasons. Just keep re-watching the older episodes, and you will be happier for it.

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