Anonymous Oscar ballots: Sinners, Michael B. Jordan & Wunmi Mosaku are surging

Oscar voting ended on Thursday, which means we’re now in Anonymous Oscar Ballot Season!!! CB and I recorded the Gossip With Celebitchy podcast yesterday and she said she was looking forward to reading all of the anonymous ballots. I am as well, because so many categories are nowhere near settled. I came into this believing that the only categories with locked-in winners are Best Director (Paul Thomas Anderson) and Best Actress (Jessie Buckley). Beyond that, it’s chaos. Well, Variety spoke to many Oscar voters as they finalized their ballots in recent weeks, and they’ve tried to summarize voters’ thoughts. Note: this year, the ballot system was different and it really forced voters to watch every nominated film, which meant people were waiting until the very last minute to cast their ballots. You can see Variety’s anonymous ballots story here. Some highlights:

Best Picture/Best Director: Ryan Coogler’s vampire drama “Sinners” and Paul Thomas Anderson’s political thriller “One Battle After Another” are, by a wide margin, the top two choices among voters. So dominant are those films that it is difficult to name a clear third-place contender. They have consumed the race. What makes the contest especially compelling is the psychology of voters who admire both films. In at least six conversations with ballot-sharing voters, a pattern emerged: Many said some version of, “‘One Battle After Another’ is going to win best picture, but I voted for ‘Sinners.’” In some cases, that same split extended to best director: “Paul Thomas Anderson is going to win, but I voted for Ryan Coogler.”…That means Coogler’s candidacy for best director is real, despite Anderson’s sweep of precursor awards.

Best Actor: Best actor is, by a considerable margin, the most scattered category in this ballot survey. Support is spread across several contenders, though one theme is clear: Michael B. Jordan has built enough backing to emerge as a serious favorite for his first Oscar. Still, a meaningful number of votes also went to Leonardo DiCaprio for “One Battle After Another” and Ethan Hawke for “Blue Moon.” If Jordan has spoilers, they appear to be those two. What did not surface in significant numbers were votes for Timothée Chalamet in “Marty Supreme” or a broad wave of support for Wagner Moura in “The Secret Agent.” Both remain in the conversation, but not at the level their campaigns may have hoped.

Best Actress & the foreign films felt like “homework” to many voters: “Hamnet,” “The Secret Agent” and “Sentimental Value” were the late homework assignments for many members, films a notable number of voters had not seen until the final days of balloting. That timing could help Jessie Buckley, who has been a consistent force throughout the season. A fresh late screening of “Hamnet” may have worked in her favor. Buckley is the most consistently mentioned name in best actress. There is broad enthusiasm for her performance, and “Hamnet” also appears to function as an alternative to “One Battle After Another” for some voters. Among those who were less responsive to the film, support split among Kate Hudson for “Song Sung Blue,” Rose Byrne for “If I Had Legs I’d Kick You” and Emma Stone for “Bugonia.” It is not a deep bench of challengers, but it does suggest the category is not entirely locked.

Supporting Actor is a three-man race: The supporting actor race appears to have narrowed to three contenders: Delroy Lindo for “Sinners,” Sean Penn for “One Battle After Another” and Stellan Skarsgård for “Sentimental Value.” Early ballots showed strong support for Lindo, with Skarsgård close behind and little movement for Penn. But in the final 48 hours before voting closed at 5 p.m. PT, that changed. Penn’s late momentum makes him a plausible winner, which would give him a third Oscar after victories for “Mystic River” and “Milk.” Skarsgård remains the wild card. Many voters had not yet seen “Sentimental Value” when contacted, meaning late viewings may have consolidated support around the veteran Swedish actor.

Supporting Actress: Supporting actress produced some of the most nuanced ballot conversations. Amy Madigan’s performance in “Weapons” appears to carry substantial goodwill among Los Angeles-based industry voters, the kind of hometown backing that can matter in a close race. Her SAG Award win reflects that strength. But Wunmi Mosaku of “Sinners” may be the most interesting contender in the category. She seems to be pulling support from two different groups: committed “Sinners” voters checking the film across the ballot, and “One Battle After Another” supporters who appear to be using the category as a place to honor another standout performance. In at least a few cases, voters who favored “One Battle After Another” in best picture, director and actor still chose Mosaku over co-nominee Teyana Taylor in supporting actress. That dual appeal, both passionate first-choice support and affectionate crossover backing, could be enough to carry Mosaku to a win. One voter told Variety that, in all their years voting for the Oscars, supporting actress was the toughest category they’ve ever voted on.

Oscar ballot #3 is from a Black American in the artisans branch: (Note by Kaiser: I’m summarizing the ballot – this person voted for Sinners in every category where Sinners was nominated.) Then this voter had this to say: “Are we allowed to finally talk about why ‘One Battle After Another’ is a bad movie, or are we still just pretending it’s not the most problematic movie for the Black community since maybe ‘Green Book’? People are too scared to say what they think in Hollywood. That includes journalists and critics. It’s easier to come down on an underdog than say, ‘Dear Mr. Anderson, your movie is not great.’ All because he made ‘Boogie Nights’?”

[From Variety]

The races are even more chaotic than I realized, my God. The Best Actor stuff is fascinating, because I really thought that Wagner Moura represented a real challenge to the field, but I guess not. I forgot that Academy voters are too dumb to watch subtitled films. Which is a shame, because Moura’s performance is incredible. But it’s also interesting that even before Michael B. Jordan’s SAG win, Timothee Chalamet was already being ignored by voters. MBJ has momentum – Chalamet never had it. It’s also incredible to see a groundswell of support for Wunmi Mosaku, and I love how much consideration she’s being given. I would be pleased if she won, but I would be fine if Amy Madigan won too.

What else? Supporting actor is CRAZY. While I think Sean Penn actually gave an award-worthy performance, I loved Stellan Skarsgard in Sentimental Value and he’s been my pick for months. Delroy Lindo’s late surge is well-deserved and hard-earned, and I could totally see him winning. I could totally see Penn winning too.

The stuff about One Battle After Another being another Green Book… lol. I think that’s unfair, but it’s in reaction to the stupid hype around OBAA as “politically important.” It’s not politically important, IMO.

Photos courtesy of Avalon Red, Shutterstock for The Actor Award. Posters courtesy of Warner Bros.

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17 Responses to “Anonymous Oscar ballots: Sinners, Michael B. Jordan & Wunmi Mosaku are surging”

  1. Jais says:

    I have no shame in saying that I would be thrilled if Sean Penn does not win. Thrilled. I hope sinners wins best picture. PTA can win for director bc I think Coogler will win one day. Side-note, I love listening to Coogler talk. He’s funny and sweet.

  2. jferber says:

    I would not be happy if Sean Penn wins. I didn’t think his performance in Mystic River deserved even a nomination. And he’s got 2 Oscars already. If he got a third, that would be one more than the best screen actor ever–Bette Davis–ever got. I want Sinners to grab EVERY Oscar, period. They deserve it. Also, the racist beasts of England would have unintentionally helped Sinners for the win. I love that. That would be divine justice.

  3. Alla says:

    Tried to watch OBAA, disgusting. Stopped after 20 minutes. Cannot watch anymore movies through the male gaze or male view. I jUst can’t anymore with the movies made by men only for men where woman Have 3 words on screen of speaking while male actors get hours pf words in movies. Enough

    • KNB says:

      Teyana Taylor and Chase Infiniti have major parts in this movie.

      • Becks1 says:

        Yeah it ends up being more female focused than the first part leads you to believe.

        I liked it. It’s a twisted movie but very engaging.

        That said, I don’t think its all that politically important. There’s a big political background and it has a big message about rich white men running the world (who’s surprised at that) and other issues, but I don’t think it was this big political movie.

        I thought Sinners was more political in many ways.

  4. HillaryIsAlwaysRight says:

    I’ve said it so many times, Sinners is a masterpiece and should win everything. MBJ for playing two very different people so well, and definitely Delroy Lindo for Delta Slim. Lindo brought so much more to that character than was written for him – and Coogler had already done an amazing job developing that character!

    I’m preying they bring back musical performances for this Oscars, and Buddy Guy is on stage with Miles Caton, Raphael Saadiq, and Ludwig Goransson.

    • Mightymolly says:

      ITA! #teamsinners The ONLY reason I’m even watching the Oscars.

    • PunkyMomma says:

      #teamsinners all the way. No other film I watched even came close to Sinners.

    • dj says:

      I would LOSE it if the Oscars had Buddy Guy!!! Saw him once in concert. He was amazing. I don’t think we sat down for a minute. I got the Sinners soundtrack. I haven’t bought a CD in forever.

      • Josephine says:

        I saw Buddy Guy in concert as well – a true bucket list concert for me. I would actually watch the Oscars if I was promised Buddy Guy !!

  5. Inge says:

    I did see OBAA, loved it and thought Sean Penn was great in it

    However Sinners was fantastic, MBJ (who should have gotten anomination for Black Panther)basically played two roles, Delroy and Wumni were so good as well, I went to see it twice and as a white person even I understand how important this movie is and I liked it even more when I learned how historic it also isfor instance one shop for white people and for the others one across the street. Ryan Coogler did that. I would love if Sinners gets everything they are up for.

    • HillaryIsAlwaysRight says:

      White lady here too. I went to see it 4 times in the theater, including the Halloween re-release on IMAX which was amazing!

      • Inge says:

        The cinema I usually go to has an Imax screen which is the biggest in the Netherlands and I saw Sinners on that screen both times.

    • Becks1 says:

      I loved Sinners. The first time I watched it I missed a lot, first because a lot just went over my head, but also because I spent a lot of the movie with my hands over my eyes (I’m a wimp.) The second time I was able to actually watch it because I understood the horror aspect of it and what was going to happen and it was so much better (funny how a movie is better when you actually watch it lmao.)

      There was just so much nuance to every scene – every costume, every piece of the set, everything. An absolute masterpiece of a movie.

      I don’t know if it will sweep the Oscars but it should.

      It was also one of the more original movies I’ve seen in a long time – and it wasn’t “out there” – like it wasn’t trying to be as weird as possible (Bugonia) or something just because it could. You could take the vampire aspect of it out and you would barely have to change anything.

  6. DeeSea says:

    Sinners was by far my favorite film of the year, and the only recent-ish film that still lives rent-free in my head. I want Sinners to win every possible Oscar, but I’m also hoping that Rose Byrne wins best actress. Her performance in IIHLIKY was spectacular.

  7. Eowyn says:

    OBAA is such propaganda counterinsurgency slop.

  8. Drea says:

    I read an article about OBAA that called it “a little rich, thematically”, which to me was a generous take. Watched it, and I agreed. And the first thing I thought was, ‘how is this different from Crash?’ Granted, it’s been a long time since I’ve seen Crash, but I still have that question. And generally, I liked the movie, even though it was A LOT.

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