Colin Jost laments a time when awards went to big, fun, popular films

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Remember when people were like “what is a movie star like Scarlett Johansson doing with a SNL dude like Colin Jost?” The answer is probably “they’re both kind of terrible.” ScarJo pretends to be Asian and Colin Jost pretends to be a funny comedian. While Colin Jost hasn’t said or done anything specific to ensure his cancellation, I’m totally here for people to drag Jost for being a dude ensconced in white privilege and general smarm. Jost and Michael Che are this year’s Emmy Awards co-hosts. The Emmys air on September 17th, which shocked me because I honestly thought they were, like, next Sunday. To promote their gig, Che and Jost sat down with the LA Times, and here’s just a Jostian sample.

LAT: Are you fond of awards shows generally?
Che:
I remember liking the MTV awards when I was a kid.
Jost: Eh. I think most of the time they’re way too self-serious and focused on things that 99% of the country doesn’t care about. At the end of the day, it’s adults getting trophies. Why should that be taken seriously? And remember when movies like “Gladiator” won best picture? Why can’t good, fun things win and not just good artsy things? They’re both good and the fun ones are sometimes a lot harder to make.

LAT: Are there any shows or performers that didn’t get nominated that you really wish had been honored?
Jost:
I was – and I rarely use this word more than 10 times a day – flabbergasted that Kyle MacLachlan was not nominated for best actor in a Whatever-That-Category-Is-Called. He played at least four different versions of Dale Cooper in the new “Twin Peaks” and was amazing at all of them (I thought Laura Dern should have been nominated as well, but at least she got recognized for “The Tale”). It’s amazing that the first “Twin Peaks” series got overlooked in the early ’90s and for 25 years people talked about how crazy it was that it got overlooked. And now the new series is going through the same exact thing! It’s like if we had gone through a world war and then 25 years later we had another world war! It wouldn’t make sense!

[From The LA Times]

“Remember when movies like “Gladiator” won best picture? Why can’t good, fun things win and not just good artsy things?” The Oscar for Most Popular Film was made for Colin Jost. Colin Jost is the kind of guy who wonders why Die Hard Part IX doesn’t win an Oscar. Colin Jost is also the kind of guy who adores artsy, half-experimental TV shows like the Twin Peaks reboot, because why not?

Incidentally, in an interview with Vanity Fair last week, Jost and Che were asked about the vibe of this year’s Emmys, whether they would make it political or whether they would do something about the #MeToo movement. Jost said this:

“It is kind of fun for us to do something that is not political. The exciting part is to do things about television and that particular awards ceremony and make it, in general, less political than normal. There’s a lot to celebrate in television right now. It’s a very strong time.” Jost added that he thinks the #MeToo movement may not be as dominant of an issue by the time the awards show airs. “I think that by [the Emmys], people are going to be desperate to give men a chance, finally,” he joked. “It’ll probably be #HeToo by then.”

[From The Hollywood Reporter]

Imagine being a white dude and being super-grateful that you can finally ignore “politics” for one whole night. And then imagine joking around about how women in your industry have been systematically abused, harassed, raped, assaulted, gaslighted, overlooked and maligned. Har har.

Colin Jost Lights The Empire State Building

Photos courtesy of WENN.

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37 Responses to “Colin Jost laments a time when awards went to big, fun, popular films”

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  1. Izzy says:

    STFU forever. I just Tweeted at NBC about this. They should pull Jost from hosting duties.

  2. Lexilla says:

    Dude, read the room.

    • Jan90067 says:

      Yeah… he’s going to go over as well as James Franco did. BOMB! Che’s had some pretty problematic tweets over time himself. Not good choices to host.

  3. Jane says:

    He needs a freaking reality check. He might get it on Emmy night.

  4. TaniaOG says:

    Wow…. This is going to go REALLY well! Lol

    • KT says:

      Seriously he will be a train wreck. I kinda can’t wait so he can blame it on everything but himself

  5. Mel says:

    I DO have a problem with Jost and Che. Not just from this interview but I have for a while. Their mansplaining game is STRONG and they have used it a lot at the weekend update desk. It used to be my favorite part but now I don’t watch it anymore. Remember when Cecily was at the desk? Boy do I miss her! When Seth left and Jost replaced him the duo was NOT good but it was not coming from Cecily…
    Jost and Johansson both give off that smug af vibe big time.
    I will try to say something positive. If you take what he says LITERALLY he is not asking for the most popular category to appear but rather for less elitism.
    However coming from him it rings false (I said I would try, not that I would succeed…)

    • Harper says:

      Yeah, he’s definitely not my favourite and seems incredibly smarmy, but I agree that his comment about popular films winning awards is a wish for less elitism in the awards circuit. Many on this site have expressed a similar wish for awards shows to stop limiting themselves to the artsy films that very few people actually see. I don’t really get why he’s catching flack for that particular statement. The rest of it though, yeah. Douchey.
      As a side note, I disagree about Cecily Strong. I LOVE her in sketches, but I though her delivery on Weekend Update was so stilted, even before Jost when she was co-hosting with Seth Meyers.

      • Jessie says:

        Popular films do win. The only films to have won this decade and not have made 100 million+ at the box office are Moonlight and Spotlight. Moonlight is also the only actual arthouse film to win this decade.

        The King’s Speech wasn’t artsy. Argo wasn’t artsy. 12 Years A Slave wasn’t artsy. Spotlight wasn’t artsy.

      • Millenial says:

        I don’t think we can pretend there’s no difference in the popularity/box office of films from the 2010’s (Birdman, Shape of Water, 12 Years a Slave, Spotlight, the Artist, Moonlight, etc…) and films from the late 90’s/early aughts (Titanic, Gladiator, Beatiful Mind, Shakespeare in Love, Chicago, American Beauty, and Lord of the Rings). The later were doing at least $100 million better than the current winners at the box office a decade plus prior.

        There’s arguments to be made about too much emphasis on male perspective and white perspective, but overall, I don’t think Jost is wrong.

        I think a lot of the recent winners make it to $100 mil largely based on being seen as the front-runners for the Oscar. A lot of people still want to see the “best picture” even if it’s not something they’d seek out on their own (myself included).

      • lucy2 says:

        That’s an interesting difference between now and the 90s/00s. I wonder how much of it is due to studios now focusing so much on comic book movies and action franchises, vs when they used to do a more varied lineup of films.

    • Mumbles says:

      They’re the worst, both of them. Their Weekend Updates are full of cliche “white people do this, but black people do this” crap. Che is sexist as hell and Jost is the master of that kind of comedy that goes “you guys can make fun of me for being a privileged white man” which serves just to remind us he’s a privileged white man.

    • Leigh says:

      Agree, I never watch Weekend Update, because I dislike both these dudes (I’ve read elsewhere Che in particular is a sexist, woman-hating monster). I used to wonder what the hell Scarlett Johansson was doing with Jost, but now that we’ve seen how shitty she is it all makes sense.

  6. Nicegirl says:

    #HeTooIsAnIdiot

    • SM says:

      I am so with you on this. The only thing to add is, well, he and Scarlett realy do deserve each other.

  7. Queenb says:

    Now we know why he and Scarlett are a couple.

  8. Slowsnow says:

    Oh boy. What a douche.

  9. AmandaPanda says:

    This guy. I was once trapped on a bot with him for an evening (a big boat, not just the two of us) – he was the paid entertainment. He was super fratty, just a general douche bro and then snuck off into one of the bedrooms and slept with a colleague of mine before then ignoring her for the rest of the night and making her cry. No time for him at all.

  10. Lala11_7 says:

    If he AND Che disappeared from the public…I wouldn’t blink one eye…

  11. lucy2 says:

    “At the end of the day, it’s adults getting trophies. Why should that be taken seriously?”
    Um…I’m not sure the Academy feels the same, and is thrilled one of their paid hosts is saying this in public while promoting the show…

    There is definitely a bad douche-bro vibe from both him and Che all the time. I don’t like either of them.

  12. minx says:

    Can’t stand this white bread guy.

  13. fhm57 says:

    Who?

  14. Rapunzel says:

    Remember when funny people actually hosted award shows?

  15. Mia4s says:

    I read the comment somewhere about Scarlett dating a bowl of plain oatmeal and now it’s all I can think when I see him or her. Plain oatmeal in looks and brains.

  16. Jessie says:

    The Shape of Water won this year, and that made almost 200 million worldwide at the box office. Moonlight made 65 million. Spotlight made almost 100 million. Birdman made over 100 million. 12 Years a Slave made over 180 million. Argo made over 230 million. The Artist made over 130 million. Rounding out this decade, The King’s Speech made over 400 million!

    I don’t know why people act like the Academy gives awards to arthouse films no one actually watches. Every film they give Best Picture too is genuinely popular. Not Marvel popular, but popular. The way some people talk you’d think they were handing out awards to experimental films that made $23 at the box office, when really, every year the Academy overlooks dozens of amazing small arthouse films in favour of the latest Spielberg mediocrity or crappy crowd pleasing biopic.

    • Algernon says:

      You kind of have to look at *when* they made their money, though, because several of those movies got a boost from winning and people saw them after the fact, but movies like Argo and The King’s Speech were big hits beforehand and people had definitely seen them. Recently Moonlight and The Hurtlocker are the only winners that really did not have audiences before they won. I think part of the elitism claims thrown at the Oscars have more to do with the general shift away from going to the movies. The movies people do go see in droves often don’t get nominated for best picture, like The Dark Knight and The Avengers. These days a lot of people only see three or four movies a year in theaters, and those movies probably aren’t stuff like Moonlight. It’s not that people don’t see the movies, I think it’s more that they see the nominees and think, none of those are movies I went to see, even if they *did* end up seeing them some other way, like on demand.

    • That girl says:

      @Jessie Agreed 100%. Movies that fail at the box office are automatically ruled out from the Academy consideration, no matter how great your movie is – it won’t get nominated if it didn’t connect with the audiences… that is the reason why great arthouse movies with no big stars in the cast are awarded at the festivals but never at the Oscars… Oscars are all about popular, basic, generic and shameless Oscar baity stuff supported by the expensive campaigns and actors narratives how they’re “overdue” or “suffered” for that particular role…

  17. Gaiyle Griffith says:

    such tiny eyes
    so much face

    that is all i got

  18. Pandy says:

    Nice highlights Colin! So edgy! He’s right tho. Fun things should win. Like Black Widow. Ugh.

  19. jules says:

    Eyeroll for most of this, but I agree with him that Kyle MacLachlan should have been nominated. His performance in Twin Peaks was phenomenal.

  20. EscapedConvent says:

    Well, he’s right about Kyle MacLachlan anyway. He knocked Cooper and every one of those characters out of the park and it almost seemed to me that no one noticed. He was fantastic and I was shocked that he didn’t win.

  21. Penny says:

    He talks and has moobs like a bloated frat boy.

  22. AsIf says:

    “It’s like if we had gone through a world war and then 25 years later we had another world war! It wouldn’t make sense!”
    so…who’s gonna tell him about WWI and WWII?