How will an Obama presidency affect pop music trends?


Some trends in pop music over the last thirty years coincide with which party controls the White House. Based on these trends, let’s look at what an Obama presidency would mean for pop music. While it may seem too simplistic to assume that R&B and urban music would gain in popularity under an Obama presidency, trends show that under Democratic presidents, types of music that once had a predominantly black audience cross over for pop success.


The first example is the rise of the Motown sound, which gained mass popularity in the 60’s when President Johnson was in the White House. Before Motown, few R&B bands broke through to the mainstream. But Berry Gordy’s record label established a funky, up-tempo R&B sound that appealed to mass audiences of mixed races. While Motown’s success is rightly attributed to Gordy’s musical vision and business sense, no doubt that new attitudes about race at the time also contributed.


The Carter administration also saw the rise of an underground R&B sound that crossed over for mass appeal- Disco. The disco movement ran nearly simultaneously to Carter’s presidency. Like Motown, Disco music was a popularized version of earlier R&B sounds, repackaged for a racially mixed audience. While disco music represented the hedonistic and expressive mood of the 70’s, by the end of the decade people were tired of both disco and Carter, and a change was in the air.


After more than a decade of Republican rule, the Democrats were back on top in the 90’s, and new kinds of dance music were popularized from the R&B underground. While rap and house music started in the 80’s, they didn’t cross over for mass appeal until the Clinton administration. Rap music’s crossover is best exemplified by Will Smith, who in the 90’s became a mega star due to the hit TV show “The Fresh Prince of Bel Air.” The 90’s also saw the rise of pop-rap artists like MC Hammer, Young MC, and Vanilla Ice.

Likewise, house music, relegated to underground dance clubs in the late 80’s, broke out into the mainstream under Clinton with crossover hits from house artists C&C Music Factory, Snap!, and Crystal Waters. Like the disco trend of the 70’s, which saw Rod Stewart, Kiss and the Rolling Stones making disco records, popular artists were also cutting house music tracks in the 90’s. Madonna and Cher resurrected their careers by making crossover house records during Clinton’s presidency.

In an Obama administration expect up-tempo dance tracks to re-emerge in popularity. Given the current global appeal of electronic dance music based in house and disco styles; it makes sense that dance music, which has declined in popularity in the US, would make a comeback under Obama. Recently rap music has trended towards appealing to a core audience, but it is likely that an Obama presidency would see a more pop-oriented strain of rap with lyrics that focus more on having fun and dancing. Music fashion would also follow these trends, a combination of 70’s tailored clothes (oversized collars, unbuttoned dress shirts and bellbottoms) with a 90’s rap sensibility (bright colors like early TLC, crazy hairstyles and XXXL shirts and pants).

You can follow any responses to this entry through the RSS 2.0 feed.

13 Responses to “How will an Obama presidency affect pop music trends?”

Comments are Closed

We close comments on older posts to fight comment spam.

  1. Anna says:

    didn’t bell bottoms (now called flared leg I think?) come back into popularity in the 90s? I remember in elementary school all of a sudden everybody was wearing bell bottoms and I had never heard of them before being born after the 70s. I might be totally wrong about that one though… Fashion has never been my strong suit!

  2. Nouvel says:

    Well the US would be a better happier, more together country, not so divisive and just like everything else getting better WHEN not IF Obama wins, so will pop music.. GO OBAMA/BIDEN 08!!!!!

  3. actingrc says:

    actually, in regards to motown, R&B crossovers were actually far more popular in the 1950s, to the point where Billboard eliminated the R&B or “race” charts for 18 months in the early 60s. of course by then the trend had passed. While Motown stayed popular in the 1960s, probably because of the extreme control Berry Gordy exerted over his singers, most R&B and Soul dropped off the pop charts by about ’62.

    sorry. it’s rare that former thesis material gets brought up in real life, and it’s kind of exciting for me…

  4. Syko says:

    ๐Ÿ˜† actingrc. Good to be an expert from time to time, isn’t it? ๐Ÿ˜€

  5. Kaiser says:

    What always seemed like a weird timing thing to me is that The Beatles “invaded” America like two weeks after JFK’s assassination.

    And if I heard “Don’t Stop Thinking About Tomorrow” one more g*ddamn time during the Clinton administration or Hillary’s primary run, I was going to shoot myself. At least Obama plays awesome music during his rallies…

  6. Mairead says:

    Anna flares did come back in again from the early-mid 90s thanks in part to tapping into psychedelic music, revival of hippyness and popularity of Indie music with bands like the Stone Roses.

    See actingrc – all those hours of study and stress have finally been put to good use ๐Ÿ˜† Just curious about one thing, if discussing the early 60s, wouldn’t bands like the Stones who did covers of R&B songs have helped that type of music become more mainstream?

    Interesting theory Mike, but some of the dates don’t seem to correlate with me – Hammer, Vanilla Ice and the Fresh Prince just about skated into the 90s, but they were still very much in the Bush I era. I know that even Public Enemy was popular on this side of the Atlantic by 1992.

    Oh one more teeensy thing – you don’t use the apostrophe when writing decades. It should be the 50s, 60s, 70s, 80s, 90s, 00s.

    EDITED as I hadn’t noticed the other article.

  7. AP says:

    Mashups are going to be huge. I am willing to bet the car on this.

  8. sauvage says:

    Grateful Dead are supporting Obama. Now, THAT’S a comeback I could live with! :-)))

  9. actingrc says:

    mairead – a lot of the r&b covers by the british invasion bands didn’t make it across the pond until later, like “Little Red Rooster” which was a popular in Britain, but only became popular in America after the Stones played live shows. Actually, British blue-eyed soul and rock was the biggest remaining link between typically white pop music and r&b in america. rock had, in many ways abandoned its roots. i argued in my essay that the shift towards more racially separate music paralleled developments in the civil rights movement and the reshaping of Black identity in america… oof.
    thanks for the correction – no matter how many times i write decades (and it’s a lot) i always get that one mixed up… ๐Ÿ™‚

  10. nycmom100.. says:

    Since Obama’s message is about change and his immediate family includes peoples from Africa, Asia and North America with close friends from South Asia and virtually everywhere might not world music become more popular in the US?

  11. aleach says:

    crossing my fingers for DJ Jazzy Jeff & The Fresh Prince reunion ๐Ÿ˜†

  12. Diva says:

    OK, that’s it…

    After reading this article and the match-point McCain one, it’s OFFICIAL…

    I have a blogger crush on Mike.

    ๐Ÿ˜‰

  13. vardis says:

    DJ Jazzy Jeff!!!
    Now there’s a memory that didn’t need reawakening!
    Please Obama, save us all!