Melissa McCarthy profiled by WSJ: ‘We’re all idiots, and it’s all OK’

Melissa McCarthy stars with Elizabeth Moss and Tiffany Haddish in the film The Kitchen, which opens August 9th. The movie is notable because it’s an action crime drama led by women. In addition, it’s led by two of the biggest comedic actresses working today, Melissa and Tiffany. I remember when I saw the trailer for it, I was confused when I got to the end of it without laughing. It looks really good and I intend to see it, but that is the curse of the comedian’s career, isn’t it? Whereas a dramatic actor doing comedy is brilliant by branching out, we expect our comedians to always be funny. The example often cited is Bill Murray in The Razor’s Edge, in which he turned in a decent performance. Adam Sandler in Punch-Drunk Love is another example, although he does get more recognition than Murray did. Melissa was recently recognized for her role as Lee Israel in Can You Ever Forgive Me? which I thought was excellent. So there’s no question in my mind she can pull dramatic roles off. Melissa gave an in-depth interview to the Wall Street Journal Magazine in which she broke down how she approaches both dramatic and comedic roles. Basically, they are the same to her because people are complex. Or, as Melissa puts it, “we’re all idiots and it’s all OK.”

(Can You Ever Forgive Me?) has been heralded as McCarthy’s first dramatic role, but that’s not entirely true. In Theodore Melfi’s quietly humorous 2014 drama, St. Vincent, she gave a warm and subtle performance as a bewildered single mother who, against her better judgment, allows her crotchety old neighbor Vincent, played by Bill Murray, to babysit her young son while she works extra shifts as a radiology tech. McCarthy’s comedies too have always careened from light to dark, from hilarity to poignancy, with her characters experiencing moments of heartache and pathos. “If you don’t at some point break your character and show them at their lowest,” McCarthy says, “I just don’t think it works.”

McCarthy doesn’t draw a line between comedy and drama. (“Something’s happened where you’re supposed to pick a side now,” she says.) She speaks fondly of the sophisticated adult movies of the ’70s, ’80s and ’90s—Tootsie; 9 to 5; Planes, Trains and Automobiles among them—when, she notes, “comedies were just good movies that happened to be funny.” She chose to do Can You Ever Forgive Me?, a film that finds bleak humor in an unlikely friendship, simply because she loved the character. And she signed onto The Kitchen—a gritty and imperfect film that, as a female revenge fantasy, certainly presents its share of humor—because she loved the script. “I want a good story,” she says. “I don’t care what format it comes in.” Moss elaborates: “The best work really straddles both drama and comedy, because that’s true to life; that is life.”

McCarthy’s ability to convey life in all its strange and varied complexity may ultimately be why she transcends not only whatever film she’s in, but also the critical establishment’s opinion of them. (Critics, even when panning her movies, can rarely summon a negative word about her.) Her performances are compassionate and never mean-spirited. “We’ve all been some version of that woman,” she says of her challenging anti-heroines. “If you can lovingly shine a light on people’s idiosyncrasies, that’s what makes us go, ‘We’re all idiots, and it’s all OK.’”

[From The Wall Street Journal]

First off, let me say I am very glad they included St. Vincent in this article. I always thought that movie and the performances in it were underrated. Melissa was heartbreaking as the single mom trying to make good decisions with very few options. I also agree that comedies had depth in the 70s but I’m not dismissing the boffo comedies popular today. Sometimes we just want to turn our minds off and be entertained, I think there’s room for both. But to Melissa’s point, I think poking fun at the worst parts of ourselves is what makes comedies work. I’ve never acted like Melissa’s more outrageous characters, but I feel that absurd sometimes. Like when I make a brash joke at a party that just bombs, it feels like as everyone is looking at me as if I’d just flung my shoe at the host. I see myself as an idiot all the time. Seeing that idiot on screen makes me feel better about being her.

The article also briefly touched on Melissa’s Seven7 fashion line, which is off-topic but I’d been wondering about. The line is no longer in production (I didn’t know) but Melissa is working on a new label, explaining, “I just wanted to make it a little smaller and more accessible. I wanted to work on keeping prices down and for it to be for everyone.” It sounds like maybe some production mistakes were made with the first line and Melissa is regrouping in order to produce the line she wants. As most know, Melissa went to school to become a designer but got sidetracked by her wildly successful comedy/acting career. I kind of love she’s returning to her fashion dream, even as a side project. I hope it happens for her.

Melissa played Either/Or following her WSJ interview. It’s cute:




Photo credit: WSJ, Twitter and WENN Photos

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13 Responses to “Melissa McCarthy profiled by WSJ: ‘We’re all idiots, and it’s all OK’”

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  1. Lucy says:

    She really gets it. It’s not even that she’s one of the best comedy actresses out there. She’s one of the best actresses, period.

  2. Lucy says:

    I loved her in Can You Ever Forgive Me. She was amazing.

  3. tempest prognosticator says:

    She’s the whole package – smart, funny, attractive, talented. I always enjoy watching her films.

    • Esmom says:

      Yes and she also seems kind and warm and genuine, which is not always a given in Hollywood.

    • KittenHeels says:

      I thought she was incredible in Can You Ever Forgive Me of course, but it was the fantastically dumb film Spy that really sold me on her initially. It just seems like everyone in it – her, Jude Law, Jason Statham – is having an incredibly fun time.

      She just seems really cool, too, like you’d have a great time around her.

      • Boodiba says:

        I need to watch Spy again, and I rarely want a 2nd go with movies.

      • KittenHeels says:

        I rarely actually laugh out loud at films, and this was such a perfect little piece of cinema candy.

      • Fluffy Princess says:

        Spy is one of my all-time favorites. The whole cast is amazing and funny and the script is tight. It never wavers from the beginning and it has a great ending. She is fantastic in it, and all of her projects really. Jason Statham was ridiculously funny–his timing is great and he plays a “himbo” so well. Jude Law — fun, and perfect as a spy — you totally believe his “James Bond”. Bobby Canavale and Rose byrne are amazing too! I might have to watch this again this weekend!

        Also, The Heat with Sandra Bullock. She’s so good!

  4. tealily says:

    I feel like I may have mentioned this on here before, but did anyone else watch The Happytime Murders (that muppet murder-mystery comedy she was in)? It was a fun, ridiculous movie, but she was just great in it! It made me want to see her on a cop show. She can seriously do anything.

  5. Jess says:

    I love her and think she’s a great actress. She’s not great at making her own films but she’s great in other people’s movies.

  6. JanetFerber says:

    I love her insanely. All her movies are underrated. I particularly love her in Bridesmaids, The Heat and The Boss. Reviewers don’t “get” women starring in films and in my opinion, delete one star in a review for any woman-directed or woman-starring film. I don’t think this is deliberate, but unconscious. More female reviewers would help a lot.