The cast list for Christopher Nolan’s The Odyssey was enough to make the right-wing culture warriors angry. But then it was confirmed that their worst fears had come true, and that Nolan cast Lupita Nyong’o as Helen of Troy. Man-baby tantrums followed in a steady clip. Historical accuracy! Birthed from a swan egg! How dare Nolan go woke!! Additionally, Elon Musk and his cult were hyper-focused on Elliot Page and what role he played. As it turns out, Page’s role is apparently extremely important to the story, but not in any of the ways the cultural warriors forecasted. An excerpt from Vanity Fair’s “Christopher Nolan’s Odyssey Is Going to Drive the Right Wing Completely Insane.”
Christopher Nolan’s epic adaptation of The Odyssey isn’t out in theaters til Friday, but it’s already the film that launched a thousand tweets. For months, conservatives like Elon Musk have been having racist tantrums about Nolan’s decision to cast Oscar winner Lupita Nyong’o as Helen of Troy, the most beautiful woman in the ancient world. They’re also in a transphobic tizzy about Nolan casting Inception star Elliot Page as a Greek soldier. But angry as they were about a rumor that Page would play Achilles, the mythic hero with a bum heel, they’re going to be furious about his actual role in the film—assuming they see it at all. They’re not going to like the greater message of Nolan’s Odyssey, either.
That’s because the first person we see in The Odyssey isn’t Matt Damon’s Odysseus, the epic poem’s titular sojourner—a brilliant strategist and king whose 10-year trip home from the Trojan War forms the spine of the story. It’s not Anne Hathaway’s Penelope, his long-suffering queen, or Tom Holland’s Telemachus, his long-fatherless son. It’s not misandrist enchantress Circe (Samantha Morton), sexy enchantress Calypso (Charlize Theron), or gray-eyed Athena (Zendaya), goddess of wisdom and Odysseus’s celestial champion.
The film opens, instead, on Page’s character: an infantryman named Sinon, a figure based in mythology who doesn’t actually appear in Homer’s Odyssey. (Musk and co. are going to love that.) Sinon is the poor bastard responsible for telling the Trojans about the giant wooden horse that the Greeks have left behind: a horse the Greeks would simply love Troy to have as a gift, Sinon says. The Trojans kill the messenger, then haul the horse past their walled city’s impenetrable gates. You can guess what will happen next.
…The polytheistic Greeks abide by a strict code of hospitality, which The Odyssey calls Zeus’s Law. As the film rather didactically explains, they’re obligated to treat strangers well because for all they know, those strangers could be gods in disguise. Ithaca’s extraordinary circumstances have turned this religious duty into an albatross: Because she can’t break Zeus’s Law, Odysseus’s wife Penelope must indefinitely host the ill-mannered suitors who have flooded her home, each of whom hopes to marry her now that Odysseus seems to be gone for good. (The standout of the group is Antinous, a smarmy SOB played to villainous perfection by Robert Pattinson.)
Penelope can’t rule the kingdom alone, due to the ancient laws of misogyny. Telemachus can’t officially take over as long as Odysseus may still be alive out there somewhere. And Ithaca isn’t the only chiefdom that’s gone to seed following the war.
Telemachus learns from another king, Trojan War–vet Menelaus (Jon Bernthal), that there’s unrest among his subjects as well. In the wake of the conflict, Sparta’s citizens have become consumed with fear about unspecified “people from the sea” invading their country and destroying their way of life. The people of Ithaca, too, have heard that the “people from the sea” are coming.
We don’t hear Spartans or Ithacans openly stressing about immigrants stealing their jobs and eating their dogs—but it’s not hard to draw a direct line between their xenophobia and the well-documented, real-world conspiratorial anxieties of people like Musk.
LMAO, it’s almost like Lupita’s casting as Helen of Troy was the Trojan horse for a film about the importance of immigration and being hospitable to all of your guests. Combined with Nolan choosing to make all of the actors speak with American accents, the message is abundantly clear, and VF is correct, the Musk bros will be very upset (if they even bother to see it). Still, I’m very interested in seeing Lupita and all of the ladies. I want to know how much screen time they all get.
Photos courtesy of Avalon Red, Cover Images.
- MANHATTAN, NEW YORK CITY, NEW YORK, USA – JULY 14: Matt Damon, Christopher Nolan and Anne Hathaway wearing custom Prada with Bulgari jewels, styled by Erin Walsh arrive at the New York Premiere Of Universal Pictures’ ‘The Odyssey’ held at AMC Lincoln Square 13 on July 14, 2026 in Manhattan, New York City, New York, United States.,Image: 1116667695, License: Rights-managed, Restrictions: , Model Release: no , Pictured: Matt Damon, Christopher Nolan, Anne Hathaway , Credit line: Image Press Agency/Image Press Agency/Avalon
- Christopher Nolan attends the world premiere of “The Odyssey” at Odeon Luxe Leicester Square on July 06, 2026 in London, England.,Image: 1114880185, License: Rights-managed, Restrictions: , Model Release: no , Credit line: Lounis Tiar/Avalon
- Elliot Page attends “The Odyssey” World Premiere at the Odeon Luxe Leicester Square in London, England. UK. Monday 6th July 2026.,Image: 1114945201, License: Rights-managed, Restrictions: NORESTRICTIONS, Model Release: no , Pictured: The Odyssey – World Premiere , Credit line: James Warren/Bang Showbiz/Avalon
- MANHATTAN, NEW YORK CITY, NEW YORK, USA – JULY 14: Lupita Nyong’o wearing Nicholas Oakwell Spring 2026 Couture, Aldo shoes, an Olympia Le-Tan clutch and Sabyasachi jewelry, styled by Micaela Erlanger arrives at the New York Premiere Of Universal Pictures’ ‘The Odyssey’ held at AMC Lincoln Square 13 on July 14, 2026 in Manhattan, New York City, New York, United States.,Image: 1116667676, License: Rights-managed, Restrictions: , Model Release: no , Pictured: Lupita Nyong’o , Credit line: Image Press Agency/Image Press Agency/Avalon
- Photocall for ‘The Odyssey’ at the IET Building Featuring: Tom Holland, Anne Hathaway, Matt Damon and Robert Pattinson Where: London, United Kingdom When: 05 Jul 2026 Credit: Jordan PettittPA Images/INSTARimages **NORTH AMERICA RIGHTS ONLY**
- Paris premiere of ‘The Odyssey’ at the Grand Rex theater Featuring: John Leguizamo, Charlize Theron, Lupita Nyong’o, Tom Holland, Matt Damon, Anne Hathaway and Zendaya Where: Paris, France When: 08 Jul 2026 Credit: Sebastien Fremont/Starface Photo/Cover Images **UK AND USA RIGHTS ONLY**
- NY Premiere of ‘The Odyssey’ Featuring: Lupita Nyong’o Where: New York, New York, United States When: 15 Jul 2026 Credit: Janet Mayer/INSTARimages.com
- NY Premiere of ‘The Odyssey’ Featuring: Matt Damon, Christopher Nolan, Anne Hathaway Where: New York, New York, United States When: 15 Jul 2026 Credit: Janet Mayer/INSTARimages.com





















Something to piss off the right-wing MAGA psychos? I’m in! Take my money!
It’s just a movie!!!! Why do people have to freak out over this??? We got bigger problems.
I have tickets already. Can’t wait.
I’m so excited!! I’m watching it tonight!!
Lol they’re already insane. I hope they choke on it. I will be seeing this film. Lupita is perfectly cast. My God she’s gorgeous.
I am so going to see this movie. I’m not a Nolan fan, his movies usually don’t work for me on an emotional level. But every choice he made for this movie that I read about sounds interesting and now I’m definitely going to spend my money on this. Pissing of the right wing is a bonus that might make me go for a second viewing 😉
Blah, blah, blah. Every generation reinterprets Homer according to its own values and cultural point of view. Some translations are worthy, some are not. If Musk and the MAGA want to support the original, they can buy a good translation and start a book group.
I have my tickets for this afternoon and cannot wait to see it now through this lens!
I’m watching it tonight!! So excited 😊
We’re going tonight too. Can’t wait!
I cannot wait to see this movie. Trying to decide if we’ll go this weekend without the boys (at grandma’s house lol) or next weekend with them. I just think Nolan is an interesting director. Like his movies are excellent but all very different from each other in the long run. Like the Prestige compared to Dunkirk compared to Oppenheimer. and this cast is fire, so yeah, I’m going, lol.
Can’t wait to see!
After watching the film, my main impression is that The Odyssey has become a political debate before even being a cinematic one. The reactions are often trapped between two extremes: on one side, people who see the casting choices as an ideological attack and project their own identity-based fears onto the film; on the other, people who defend Nolan so strongly that they see any criticism as hostility. Between “an absolute disaster” and “the masterpiece of the decade,” it has become difficult to have a nuanced opinion.
Personally, I am far from both positions. The Odyssey is an impressive technical achievement, with a highly controlled direction, but it never truly moved me. The main issue, in my opinion, comes from the way the characters are written. The film keeps them at a distance: I never fully feel Odysseus’ suffering, Penelope’s endless waiting, or Telemachus’ pain. Everything is carefully controlled, but rarely emotionally powerful.
The main issue, in my opinion, comes from the way the characters are written. The film keeps them at a distance: I never fully feel Odysseus’ suffering, Penelope’s endless waiting, or Telemachus’ pain. Everything is carefully controlled, but rarely emotionally powerful.
Visually, I was not transported either. The sets, cinematography, costumes, and dialogue never made me feel like I was entering a true mythological world. Homer’s universe loses some of its mystery, magic, and epic quality. Nolan’s realism, which works extremely well in Dunkirk or Inception, limits here the sense of wonder that is essential to the myth.
The star-studded cast also adds to this feeling of distance: sometimes I see the actors more than the characters themselves. The performances that impressed me the most were Samantha Morton and John Leguizamo, because they bring an intensity and sincerity that are missing from much of the rest of the cast.
In the end, I see a technically excellent blockbuster, but not the great mythological work I was expecting. For me, the film suffers from some of Nolan’s usual limitations and deserves around a 6/10.
My second issue with the film concerns the question of diversity. After watching it, I felt that diversity was heavily used as part of the film’s communication and marketing strategy, while the characters themselves remain relatively secondary within the actual story.
A large part of the conversation around the casting focused on Zendaya, Lupita Nyong’o, and Elliot Page, but their characters ultimately have a limited role in the narrative. Their screen time is relatively short, while the core of the story remains centered on the main characters: Odysseus, Penelope, and Telemachus.
This raises an interesting question: does Hollywood genuinely want to create more diverse storytelling, or does it sometimes use certain casting choices as a marketing tool to attract new audiences and generate discussion around a film?
The issue is not the presence of these actors, which is obviously legitimate, but rather the depth and importance of the roles they are given. Shouldn’t representation also mean creating meaningful characters who are fully developed and central to the story? Another point that made me think concerns the release of the film in IMAX 70mm. This format is presented as a unique cinematic experience, but it remains accessible to only a small number of viewers. I personally had to travel to Paris to see the film in this format because the cinemas in my city do not have the necessary equipment. Between the travel costs and the higher ticket prices, it raises the question of whether the modern cinema experience is becoming increasingly reserved for those who can access premium formats.
In the end, The Odyssey raises questions not only about representation in Hollywood, but also about the future accessibility of the cinema experience itself.
Well, that’s the thing. Helen is a very minor figure in the Odyssey – only in a couple of moments when Telemachus visits Menelaus – and Clytemnestra doesn’t appear at all, only mentioned. Controversial casting for such small roles seems a bit more like a PR stunt than a commitment to diversity. The diversity I would have liked to see is some recognition that this is a Greek story.
Other things – it isn’t really a mythological world – the gods were a religion. Ok, the manifestations of the gods are otherworldly, but this was a belief system. The whole Trojan War was about transgression – against hospitality, against marriage, against disloyalty – all of which are represented by the gods. Odysseus wasn’t the typical staunchly grim hero. He was wily, sneaky, a pragmatist, able to come up with solutions others couldn’t. He wasn’t guilty about the Trojan Horse – it ended 10 years of war. He made mistakes, he was a story teller – most of the adventures are from his own storytelling and he might very well have been lying to entertain his audience.
Apart from the storytelling, this is like Achilles’ shield in the Iliad – one side is war, the other domestic life. The Odyssey is the story of domestic life and the proper way to conduct it. Telemachus gets lessons in that through his travels. Odysseus comes out of the cave and ends up naked on a beach – every part of the war has been stripped away, like a rebirth, and now he has to return to society.
Ok, I’m rambling, but I’ve been studying Homer most of my life and I have *definite* opinions, lol. I’m interested in seeing Nolan’s version, but I’ll try not to have too many expectations.
I’m so hype for this movie, I’ve been tracking it for months and have tickets for sat night. I’m not expecting huge amounts of screentime for the women- they’re not in the poem a lot- but I’m really interested to see how Athena is handled! She takes on disguises throughout the poem to assist Odysseus, is it just going to be Zendaya pretending she’s wearing someone else’s face?
In the film, Nolan takes a very realistic approach, and that also applies to the gods and mythical elements. He doesn’t really portray them in a traditional fantasy way. Except the scene with Circé.
For Athena specifically, he takes some liberties compared to Homer’s original story and gives the character a very unexpected twist who transformed movie’s perception.
This is me!! I have been following the press tours and just can’t wait to see it. It want to go this weekend but it’s sold out sadly. I truly can’t wait to see this film.
Can’t wait to see this.
Would also pay to watch video of right-wingers’ heads explode.