
Today in “for the love of humanity, make it stop!” news: AI “actor” Tilly Norwood released a single, “Take the Lead.” Worse yet, there’s an accompanying music video. Still further confounding, the imagery includes Tilly riding an inflatable flamingo pool toy across the sky. Well, they did warn us last week that they were building the “Tillyverse,” a concept that gives me the biggest of icks. Still, did I miss the Nostradamus quatrain predicting this sh-t show? That artificial intelligence would be used to design a teenaged-looking female “actor” out of every crappy director’s fever dream, and adding insult to injury, that the creator of this abomination would be a woman who’s an actor herself?! I’m not screaming, YOU are!! (I’m totally screaming.)
Anyway, the single and music video dropped on Tuesday. The least surprising part of this news is that the music was AI-generated by Suno, the company that enabled AI “singer” Xania Monet to crack a Billboard radio chart last fall. The most disturbing part, is absolutely everything about the song and video.
“Take the Lead” is inspired by a recently published essay written by Eline van der Velden, Norwood’s creator and CEO of production company Particle6 and its AI talent studio Xicoia. The lyrics, she explains, reflect on last year’s extensive backlash across Hollywood following the news that agents were looking to sign Norwood.
The music video, released Tuesday, shows an AI Norwood singing atop a London rooftop, swinging from a disco ball, in the bath and flying through the clouds on a blow-up flamingo, among other activities. A note at the top of the video reads: “The following production was made by 18 real humans — from production designers to costume designers to prompters, editors, and an actor. No flamingos were harmed in the process.”
The lyrics include: “When they talk about me, they don’t see the human spark, the creativity … I’m just a tool, but I’ve got life” and “They think I’m just a dollar dream but I’ve got more than they believe … I’m not a puppet, I’m the star.”
“Take the Lead” was generated using Suno, with the accompanying video created by the team at Particle6 using a suite of readily available AI tools, combined with its proprietary creative process. New techniques deployed include performance capture, whereby van der Velden acted out Norwood’s performance.
Van der Velden said: “Tilly is, and has always been, a vehicle to test the creative capabilities and boundaries of AI — not take anyone’s job. As an actor myself, I have loved bringing Tilly alive for this video and feel that the ability to now use performance capture in this way, to fully inhabit an AI character, is a phenomenal way to bring an unknown actor like me closer to the craft.
“However, at the end of the day, even with brilliant new technology, it’s still important to stress that great AI content isn’t instant — it always takes good ideas, taste, direction, judgment and time. In other words: people remain at the heart of it.”
Eline van der Velden really grates on my very human nerves. She seems to think that by making the subject of the song directly about the backlash, that she’s being wry or clever. When in reality, the song and video have the subtlety of a sledgehammer. It’s so on the nose, the whole thing plays more like a recruitment video for a cult (which in a way I guess it is). Take, for example, the chorus: “Actors, it’s time to take the lead/ Create the future, plant the seed/ Don’t be left out, don’t fall behind/ Build your own, and you’ll be free/ We can scale, we can grow/ Be the creators we’ve always known/ It’s the next evolution, can’t you see?/ AI’s not the enemy, it’s the key.” Yeah? Well it’s a “key” that can’t manage to sync Tilly’s mouth movements with the vocals. Or, as one commenter on YouTube said, “I’ve never seen so many freckles disappear, reappear and move to different places.” In fact, all the comments to the video are gloriously unreceptive to what Eline and her FrankenTilly are selling. The creativity on display in the vivid and varied ways people communicated their utter disgust at the video, well, that actually restores some of my faith in humanity.
Finally, but no less importantly, two images from the video I’d like to call out: 1) There’s a scene where Tilly carries a huge ass tray of cookies, eats a couple, and then throws the entire tray in the garbage. W-T-F???? 2) The disclaimer at the beginning asserts that “no flamingos were harmed in the process,” but did flamingos give their consent to be in this monstrosity? They should SUE!



















I play around with SUNO for fun and come with better songs than this.
That is exactly what I was thinking. This is what they came up with? Her whole “persona” – this is what they came up with?
The human race is f-ed if we don’t put some guardrails up around AI and the use of AI soon. We made that mistake with the internet and it is too late – the beast will not be controlled.
The 1%’ers do realize that robots and AI creations can’t pay taxes, right? But they don’t have to provide them with insurance, time off, deal with unions and all of that other drama and hassle that human employees bring.
Can we call this something other than “ai actor”? It normalizes something that I think will be really destructive. Computer-generated character?
CGI
“She” is a special effect.
F
I’m not going to click on any of it, but her child like face combined with that cleavage is very disturbing. Epstein-adjacent, yes? I continue to believe the ultimate main use of these AI actors will be p**n.
Exactly. And she never ages. And they can increase her bust size and decrease her waist size whenever they want. And it happens immediately. And they don’t have to wait for her to lose enough weight on a starvation diet or wait for her to recover from surgery so that she looks the way they want her to look.
Grown adults won’t fall for this music video but I’m a little afraid children might. The lyrics are stupid, but the actual melody might be appealing to kids. As well as how the AI lady looks….
I’m kind of worried….
I’m just struck by the uselessness of it all. What a waste of money and talent (of the surrounding team of people). Why not just hire an actor? “She” looks basic as hell; they can definitely find someone who looks like that. So is it solely for exploitation? Because “Tilly” can’t say no to riding on a flamingo or being shown in a bath?
It’s cheaper, I think.
Tech companies are about making money, not much else.
That said, I can’t see a real singer/actor wanting to say those lyrics either. They’re so bad 🤣
I just wanted to say I’m not anti-AI at all. When it comes to creative endeavors, it allows me to play, discover and experiment in a way that could never before. Either because of financial constraints or industry gatekeeping.
I have seen some insanely clever, witty stuff on RedNote that is AI. To me that shows that the quality of the output depends on the person writing the prompt and their imagination. Basically, you get what you put into it.
That said, that Tilly Norwood stuff, while technically good, has no nuance or creativity behind it.
I think AI can do some boring, admin things than humans would prefer not doing (like create a boring flyer for the sake of it because it’s on a to-do list your boss is making you do) , but I don’t think I’ve seen it so far produce anything that I would consider artistically good, not even when it’s trained on the data of dead artists and writers. There’s some glitch it can never overcome…
I guess I just don’t understand why anyone would use this to come up with “creative” works. Why not just…actually try to create something? Writing, painting, music, etc. All this is is a plagiarism machine. It only knows how to steal and repackage. And by using it instead of working on their own things, they’re depriving the world of new works, new voices, new magic.
I don’t want recycled slop in art from now on, that’s gross. And horrifically boring.
Cue to “influencers” doing a stupid choreography in Tiktok to shove it down Centennials and Alpha’s brain.
How much water waste did it take to make this crap?
Tilly Norwood is too young to have such tight hip flexors.
“I’m just a tool” followed by “I’m not a puppet, I’m the star” — lyrics are as incoherent as the rest of this project. How many agents were REALLY looking to sign “Tilly,” I wonder? This whole “Tillyverse” thing is giving off strong “Metaverse” vibes.
I use Copilot at work, and it genuinely makes my life easier. There is a place for AI. This isn’t it.
Gross, disturbing, and bleak.
The creator considers herself an “unknown actor.” So she saw stealing the work of others her ticket to fame and success. Absolutely vile.
I don’t want this garbage to repackage existing things! Destroying the environment to steal away that which makes us human? Why can’t it work on the mundane so we have more time to create? But no, they want us stuck with the mundane AND nothIng but recycled “creative” slop forever.
Issues of creativity aside, can they copyright any of this? Because, if they can’t, what’s the commercial feasibility?