80s director John Hughes is responsible for the concept for the new film Drillbit Taylor, written by Seth Rogan and Kristofor Brown, but his name appears nowhere in the credits. The film is based on one of his old ideas, and a producer who still keeps in touch with him, Tom Jacobson, got his permission to use it. Jacobson is the husband of Donna Arkoff Roth, who produced Drillbit along with Judd Apatow.

The thing is, this Jacobson guy is just about the only person who knows how to contact Hughes, 58. When Hughes left Hollywood in 1995 after creating teen classics like Weird Science, Sixteen Candles, Pretty in Pink, Ferris Bueller’s Day Off and The Breakfast Club, he shut that world out entirely and never looked back. Hughes lives in Chicago now but no one knows where. Even director Kevin Smith says he can’t get in touch with him for a little fanboy Q&A:

“John Hughes wrote some of the great outsider characters of all time,” says Apatow, the writer-director-producer whose new film, “Drillbit Taylor,” is loosely based on an old Hughes story idea. “It’s pretty ridiculous to hear people talk about the movies we’ve been doing, with outrageous humor and sweetness all combined, as if they were an original idea. I mean, it was all there first in John Hughes’ films. Whether it’s ‘Freaks and Geeks’ or ‘Superbad,’ the whole idea of having outsiders as the lead characters, that all started with Hughes.”

Hollywood is full of older masters who’ve been mentors to younger acolytes. But Hughes, 58, is the only one who’s disappeared without a trace; he quit directing in 1991, moved back to Chicago in 1995 and has basically stayed out of sight ever since.

“He’s our generation’s J.D. Salinger,” says Smith, whose film “Dogma” shows its heroes, Jay and Silent Bob, on a pilgrimage to Shermer, Ill., a mythical town that only exists in Hughes’ films. “He touched a generation and then the dude checked out. If it weren’t for him, I wouldn’t be doing what I do. Basically my stuff is just John Hughes films with four-letter words.”

Smith says whenever he’s in Chicago promoting a film he asks his local publicist if they know how to find him, to no avail. The one person who made contact was Vaughn, who grew up in the North Shore suburbs and met with Hughes when shooting “The Break-Up” in the area in 2005. It’s in keeping with this aura of mystery that while Hughes came up with the idea for “Drillbit Taylor,” the Owen Wilson comedy that opened Friday to lackluster reviews, his name isn’t anywhere on the film. But his handprints are everywhere.

[From The LA Times via The Huffington Post]

If Hughes never made those amazing 80s movies that defined my generation, we might not have all the quirky characters and excellent coming of age films now. It’s nice to hear these younger directors say he’s their primary influence.

You wonder what kind of incredible films this guy could have produced if he kept working, but maybe he assumed that his best work was already out there and he got sick of the Hollywood scene. Hughes also directed Planes, Trains & Automobiles, Uncle Buck and Curly Sue Home Alone, and his work branching out into adult comedies was not as well received. (Update: Thanks to Keith for pointing out that Hughes wrote, but did not direct, Home Alone.)

According to The John Hughes Files, Hughes moved to Northbrook, Illinois, at the age of 13. He started out working as an ad copy writer and ended up writing for National Lampoon magazine, where his short story “Vacation ’58″ became the basis for the Chevy Chase film.

Wikipedia notes that Hughes has not granted any interviews since 1994. He did record a director’s commentary in 1999 for the Ferris Bueller’s Day Off DVD, and there was a photo taken of him in 2001 visiting his actor son on a set.

Fan Site The John Hughes Files claims he is still working as a writer behind the scenes for Disney, but that news seems to be old because he is not listed with many writing credits after the late 90s.

This story really intrigues me and I would like to see Kevin Smith and Judd Apatow be able to do a joint interview with him. He probably thinks he’s just a boring regular guy and doesn’t want to make a big deal out of his success, but his self-imposed exile comes off as such a mystery.

“Catcher In The Rye” author JD Salinger is still alive at 89, but no one has interviewed him since 1980 and he has not published anything since 1965. It might be little early to compare Hughes to Salinger, but there are definite parallels, as Kevin Smith mentioned.

A Sixteen Candles user-created trailer:

Here are some clips from The Breakfast Club set to “Don’t you forget about me”

And Weird Science. (NSFW boobies) I must have seen this movie 20 times.

Kevin Smith responded to the furor over his remarks at a University of Pennsylvania speech in which he revealed that Nicole Richie screwed his friend Jason Mewes in a bathroom and that he thinks Reese Witherspoon is a cunt. Smith didn’t mention the Nicole Richie incident at all, leading us to assume that it’s true.

He also said that he doesn’t see why it’s big news that he thinks Reese is a cunt, since he admitted to hating her a while back:

[via]

In the 2001 article about Reese that Smith references, he makes a very good case that she deserves the “C” label while describing how he came to give her the moniker “Greasy Reese(y)” He talked about how arrogant and rude she was at a casting call for Mallrats, and how she snubbed his then-girlfriend, Chasing Amy’s Joey Lauren Adams, who was previously in competition with her for a part:

Yeah, Reese is classy and Smith makes a very good point.

Meanwhile in his current post Smith makes fun of all of the gossip blogs for ripping on him for being a gossip:

We know we’re gossips – and so are you, Smith. There’s nothing wrong with that.