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I can’t help it, I like Channing Tatum. I haven’t seen many of his films, so I’m only judging him on his personality, as seen through many, many charming, funny interviews. One of the things that strikes me about Channing is that (I feel) he’s often the victim of Hollywood’s anti-Southern bias. Hollywood wants to pigeon-hole him as just some dumb redneck, and while he is kind of redneck-y (he admits that), he’s also one of the biggest rising stars in Hollywood, and he owes a lot of his success to his own work ethic and a wonderful and refreshing attitude about his work. He respects his industry, and he plays the game better than most of the younger actors out there.
Another reason to love Channing: he knows he has a gay fan base, and he loves his gay fans. Channing covers the new issue of Out Mag to promote his stripper movie Magic Mike. Channing knows that the audience for this film is going to be gay dudes and ladies. And he loves all of us. You can read the full Out Mag piece here (it is, like all of Channing’s interviews, a great read), and here are some highlights:
He hates fruits and vegetables: “I will never eat a raw tomato. I can do the s–t out of some tomato sauce, or even sun-dried tomatoes, but never raw.” Eggplant? “F–k eggplant—it’s too spongy. I hate spongy stuff.”
On 21 Jump Street: “Jonah actually called me to do it,” says Tatum. “He said, ‘You can do this,’ and I said, ‘Are you sure? You gotta tell me that you’re sure.’ Nobody ever called me for a comedy before — I couldn’t get them to call me for a comedy. I would call, and they would be, ‘No, no, no, just stick to what you’re doing.’ As soon as I made Jump Street, I had 20 comedies sent to me.”
The risk of Magic Mike: “It’s risky,” concedes Tatum. “People say that women and the gay community will go see it — knock on wood — but I know straight guys won’t be like, ‘Yo, what’s up man — you wanna go see the stripping movie after the game tonight?’ I doubt they’ll have the balls to see it. What’s funny is that the girls don’t ask me questions about my stripping days, but straight guys want to know everything. It’s that fantasy element. It’s probably why a lot of females on Halloween are the whorey version of a ketchup bottle, or slutty nurse, which I love and respect — it’s liberating.”
Being a stripper in Tampa at the age of 19: “I was definitely looking for something to take me into the dark side,” he says. “You learn something about yourself, you learn about men, women, you see a lot of depressing shit, people that are lost. But at the same time, the dark side can be exciting. It can feel like you’re cheating death every night.”
More about stripping: “I never enjoyed the taking-the-clothes-off part,” he recalls. “You are on a stage with people yelling at you, and you feel you’re a rock star, but you’re nothing — you’re just a guy taking off his clothes, looking like a fool in a stupid outfit.” The outfit, if you’re wondering, was a Boy Scout uniform. Eventually, Tatum rebelled and introduced an Usher routine, drawing on the skills he learned at the quinceañeras that are as ubiquitous in Florida as orange groves. “I just got tired of being the tall, skinny white kid that couldn’t dance. So eventually, I just grabbed an abuela and was like, ‘All right, teach me how to Spanish dance,’ ” he says, adding, “and I’ve always loved the movies Breakin’ 1 and 2, and Beat Street.”
Matt Bomer on Channing: “He’s obviously very good-looking and effortlessly cool, but he’s also one of the kindest, most open-hearted people I’ve ever known,” he says. “More than anything, he just has a lust for life that makes him want to tell stories and to dig deeper than someone who looks like him might have to dig. He kind of reminds me of Steve McQueen in a lot of ways — completely authentic and comfortable in his own skin.” (For his part, Tatum describes Bomer as “the most talented and committed person I’ve ever got to work with.”)
Working on Dear John: He was signed before they had a script. “It was not a perfect movie, but I loved it because it was a labor of love, every single part of it,” he says. “You go through every single variation of the script, and you work on it with the director and the actress, and then you decide whether you can make it better with reshoots. I wish more actors would do it, because I think it would give more connection to what they’re doing and why they’re doing it.”
He’s a redneck: “I wish I had a palate to be able to choose one over the other,” he says. “I’m a redneck — I still love Coors Light.”
[From Out Mag]
I think my two favorite quotes are “I’m a redneck — I still love Coors Light” and “It’s probably why a lot of females on Halloween are the whorey version of a ketchup bottle, or slutty nurse, which I love and respect — it’s liberating.” Do you see what he did with the last one? He caught himself saying something kind of bitchy about girls who dress up like “the whorey version of a ketchup bottle” (LOL) and he eased into a lovely (if bullsh-t) exploration of female liberation. I LOVE HIM.
UPDATE: The Magic Mike boys also cover the new issue of Entertainment Weekly too.
Photos courtesy of Out Mag.

















































































































