'11

It’s safe to say that Hugh Grant has some issues with the paparazzi. In just the past few years, he’s hauled off and thumped one over the head with a tub of baked beans as well as kicking a photog in the crotch seemingly just for giggles. To be utterly fair, Grant’s got a pretty understandable reason to dislike the tabloids and their paps, for he was one of the thousands of public figures targeted within the huge wiretapping scandal involving the Rupert Murdoch-owned News of the World and The Sun. That particular scandal went down a couple of years ago, and it’s such a huge mess that we’ll probably not see the end of it for quite some time.
Hugh’s story picks up a few months ago when he was merrily driving along in his Ferrari (he calls it “my midlife crisis car”) and broke down on the side of the road. Shortly thereafter, a bloke stopped to help him but then pulled out a long-lens camera and commenced snapping away. At some point, Hugh realizes that this guy is Paul McMullan, a former News of the World pap and one of the key whistleblowers in the aforementioned wiretapping scandal. McMullan now bides his time running a pub, but that certainly didn’t stop him from selling the photos and story about finding a broken-down Hugh to the Daily Mail.
Hugh then later contacted McMullan and, unbeknownst to the former pap, recorded their conversation, which is now published in New Statesmen for all to see. Amongst many other revelations recorded by Hugh, McMullan actually thanks Hugh for breaking down on the side of the road and helping him make £3000 for the story, and also for being “a very good earner” for him in the past. McMullan goes on to claim that, in the past, Daily Mail was also just as bad about tapping cell phones as the two tabloids that got popped in the wiretapping scandal. He also bemoans the fact that the days of analogue mobiles have since passed, for that was a time when it was incredibly easy to use a cheap scanner and record the full phone conversations of Princess Di, Prince Charles, and the like. The entire article details a rather riveting discussion, which is well worth reading in full, but here are some relevant excerpts pertaining to McMullan’s former employ under NOTW:
Grant: Murdoch, yes . . .
McMullan: So I was sent to do a feature on Moulin Rouge! at Cannes, which was a great send anyway. Basically my brief was to see who Nicole Kidman was shagging – what she was doing, poking through her bins and get some stuff on her. So Murdoch’s paying her five million quid to big up the French and at the same time paying me £5.50 to f*ck her up . . . So all hail the master. We’re just pawns in his game. How perverse is that?Grant: I suppose the fact that they’re dragging their feet while investigating a mass of phone-hacking – which is a crime – some people would think is a bit depressing about the police.
McMullan: But then – should it be a crime? I mean, scanning never used to be a crime. Why should it be? You’re transmitting your thoughts and your voice over the airwaves. How can you not expect someone to just stick up an aerial and listen in?
Grant: I’d rather no one listened in, to be honest. And I might not be alone there. You probably wouldn’t want people listening to your conversations.
McMullan: I’m not interesting enough for anyone to want to listen in.
Grant: But celebrities you would justify because they’re rich?
McMullan: Yeah. I mean, if you don’t like it, you’ve just got to get off the stage. It’ll do wonders.
Grant: So I should have given up acting?
McMullan: If you live off your image, you can’t really complain about someone . . .
Grant: I live off my acting. Which is different to living off your image.
Him Yeah, but you’re still presenting yourself to the public. And if the public didn’t know you . . .
Grant: They don’t give a sh*t. I got arrested with a hooker and they still came to my films. They don’t give a f*&@ about your public image. They just care about whether you’re in an entertaining film or not.
McMullan: That’s true . . . I have terrible difficulty with him [points to pap shot of Johnny Depp]. He’s really difficult. You know, I was in Venice and he was a nightmare to do because he walks around looking like Michael Jackson. And the punchline was . . . after leading everyone a merry dance the film was shot on an open balcony – I mean, it was like – he was standing there in public.
Grant: And you don’t see the difference between the two situations?
McMullan: You can’t hide all the time.
Grant: So you’re saying, if you’re Johnny Depp or me, you don’t deserve to have a private life?
McMullan: You make so much more money. You know, most people in Dover take home about £200 and struggle.
[From New Statesman]
All of these admissions essentially speak for themselves, and the paparazzo comes off looking like a huge douche. Of course celebrities (especially those like Johnny Depp, who would never sell wedding photos to a tabloid) don’t deserve to have their private conversations targeted by hackers. The argument always exists whether people who purposely seek out fame even deserve privacy, and to a degree, they necessarily give some of it up by not being able to walk down a street without having their photograph taken. And of course, they shouldn’t be stupid enough in this day and age to put nude photos on their cell phones, but they don’t deserve to be hacked.
Photos are from September and December, 2010 and March, 2011. Credit: WENN.com








































































